Doubting and Faith

Today, I received an email from a reader in the Netherlands troubled by doubts. For me, I only began to believe after a time of doubting. I got the doubting out of the way in my youth, but I had to be an agnostic for long months before I became a believer.

Yet faith changes continue. My conception of God has changed from being “personal” (God has the attributes of a person) to being mostly impersonal (God is something far beyond personhood). I keep going back to the phrase “the Ground of Being,” used by Christian mystics for centuries, from The Book of Privy Counseling, to Fr. Pierre Teilhard de Chardin. *The Ground of Being* means that Beingness, Existence itself–with all that it contains–space, time, the Universe–springs from something that is so incredible it’s beyond the concepts of being or existence. Yet existence comes from it like the grass from the ground.

A friend of mine was shaken by a spiritual experience he had, because God didn’t seem to be there. Of course not. In these glimpses where the Matrix is dissolved, God can’t be seen because there is no separation. In One, there is no “you” and “God;” there is just One.

Yet, in the manifested world, It is personal, because It manifests persons, and all that is. Everything we use to describe this Ground of Being falls short. It is mystery. Nothing stops us from trying to explain and describe It, but we can only describe Its energies and actions, as we can only see the wind by the movement of the clouds and dust.

Children sense this intuitively:
What created the Universe?
The Big Bang.
What made the Big Bang bang?

Who made the world, Mommy?
God did, Honey.
Who made God?

So we use words: God, Tao, Brahman, the Unconditioned, Emptiness, and on and on, though all words and names are insufficient. The Mystery pervades everything. Explanations are only invitations to engage the Mystery at a deeper level. Why do living things grow? Because their cells divide. Why do cells divide? Because of DNA. How does DNA make cells divide? Silence.

I ended my email response to him with this:

My teacher once said “the Universe is a mystery. If you could explain it, there wouldn’t be a mystery anymore.” . . .

Move the consideration from being a question in your head to a wonder in your heart. Love the mystery, devote yourself to IT, not as a question or problem, but as your life. Because, well, it is your life, and all life. Everything comes from the mystery, and there is nothing which isn’t full of the mystery. The mystery will sustain you as nothing else can. It’s the only thing there is!

It’s not about belief!

Farewell, John Paul

I haven’t read the book, but I’ve heard that in his novel Angels and Demons, Dan Brown (author of The Da Vinci Code) imagined the world largely ignoring the passing of the Pope. He was wrong. Very wrong. In fact, he couldn’t have been more wrong.

Millions—no one knows exactly how many—flocked to Rome to say farewell this week. Mourners included not only Catholics of every nation, but thousands of Protestants, Jews, Buddhists, and Muslims. The heads of state of Iran, the United States, Israel, and Syria sat close together, and the latter two shook hands and renewed their commitment to peacefully resolve their differences.

Why have so many people been affected, including hundreds of millions of non-Catholics and non-Christians? Because he spoke to our most pressing needs—freedom, peace, and holiness. Yes, many of us felt he was not speaking to other important needs, but seldom has mankind ever been graced by a more fierce and dedicated champion of freedom, peace, and holiness, and none greater in the age when nuclear annihilation threatened to destroy the world, and materialism to destroy the soul.

Peggy Noonan has written a most illuminating account of how the Pope’s visit to Poland in 1979 precipated the collapse of the entire Iron Curtain. Read “We Want God“.

Blessed are the peacemakers. They shall be called the children of God.

Fight Club

Enlightenment on the dark side

To Boldly Fight What No Movie Has Fought Before…

Fight Club poster

I missed Fight Club when it came out nearly six years ago. But it looks like the timing was about right. If I had seen it then, I wouldn’t have been able to understand it as well as I do now, and I would’ve dismissed its spiritual themes out-of-hand. And yes, it DOES have spiritual themes. Sure, Fight Club is primarily a punch in the teeth, but it’s much more; It’s a black comedy, a rage-against-the machine manifesto, an apologetic of nihilism, an indictment of consumerism, and an alternative take on enlightenment, with some ringing and frightening questions to ask ourselves and the world. There are some spoilers ahead. If you haven’t seen it yet, you might want to do that first.

The protagonist of Fight Club, (played by Edward Norton in an amazing performance) is unnamed, but for convenience, I’ll call him Jack, which he very obliquely calls himself in the film. Jack is not only lost, but all the tranquilizers of modern life are wearing off, and he’s beginning to feel the cosmic suckiness deeply. He’s tortured by his cruel job that weighs the value of human life against the company’s bottom line. Desperate to wrench a purpose from the offerings of McCulture, he tries to find happiness in possessions. “I flipped through the catalog and wondered: what kind of dining set defines me as a person?” (The next shot pans his apartment with IKEA catalog prices and descriptions showing beside every piece of furniture in the room.)

Jack longs to be someone else, someone who is free. On one of his many business trips, he muses “If you wake up at a different time, in a different place, could you wake up as a different person?”

His torment is beginning to affect his health. He can’t sleep, and in the great American tradition, asks his doctor for a pill to fix everything. Instead, he’s given a different prescription: tuning into pain instead of avoiding it. When he goes to a support group for testicular cancer (which he doesn’t have), Jack is amazed at the release that comes from hugging and crying instead of repressing pain. Having found the cure for his insomnia, he starts going to a different support group for every day of the week, and finds that in being able to freely weep, he’s able to freely sleep.

Trouble enters Paradise, however, when Marla (Helena Bonham Carter), another healthy support group “tourist,” starts attending all the same groups he does (including testicular cancer!). Her presence cramps his newfound emotional freedom. They agree to split the groups between them, and fight over who gets what: “Bowel cancer? You can’t have bowel cancer, I want bowel cancer!”

Soon Jack finds himself without a home, his apartment and all his possessions having been destroyed in an explosion. He turns to Tyler Durden (Brad Pitt), a soap salesman he met on his last flight. Tyler seems to be everything Jack feels he isn’t: confident, contemptuous, and above all, free. Jack was in search of a meaning for his life, but Tyler wants nothing except hard-edged reality itself.

Jack: I had it all. I had a stereo that was very decent, a wardrobe that was getting very respectable. I was close to being complete. . . .
Tyler: We’re consumers. We are by-products of a lifestyle obsession. Murder, crime, poverty, these things don’t concern me. What concerns me are celebrity magazines, television with 500 channels, some guy’s name on my underwear. Rogaine, Viagra, Olestra.
Jack: Martha Stewart.
Tyler: Fuck Martha Stewart! Martha’s polishing the brass on the Titanic. It’s all going down, man!

Tyler goes on to inform Jack that “the things you own end up owning you,” which I believe St. Francis of Assisi said as well. Tyler’s style, though, is hardly Franciscan. Tyler introduces Jack to another way of working with pain: creating it and embracing it. He asks Jack to hit him as hard as he can. Tyler returns the favor, and voilá, instant male bonding sans hugging. Jack moves into Tyler’s house, a condemned squalid mansion which is more painful to behold than any of the ensuing fights. (Think of the toilet in Trainspotting getting an hour of screen time.) They become the best of friends, regularly beating the crap out of each other behind their favorite watering hole.

Soon other patrons beg to have their turns in the bare-knuckle matches, and Fight Club becomes a weekly event in the bar’s basement. (Eventually, the meetings become daily). A silent communion grows between members even though no words are spoken. (The first rule of Fight Club is you do not talk about Fight Club. The second rule of Fight Club is you do not talk about Fight Club.) Jack begins wearing his bloodied shirts and bruises to work as though they’re the cutting edge of fashion. “I got in everyone’s hostile little face. Yes, these are bruises from fighting. Yes, I’m comfortable with that. I am enlightened.”

Jack at Tyler's

When Marla calls Jack after she’s taken an overdose, Jack walks away, but Tyler saves her. Soon they’re involved in an intense sexual relationship, much to Jack’s annoyance, although she only talks to Jack (the reason for which becomes clear later on).

Tyler has a disdain for almost everything except awakening Jack from fear and malaise; he’s a rogue guru with the perfect disciple. By losing all his material possessions and moving into Tyler’s pigsty, Jack has renounced worldly comforts as much as an ash-covered sadhu in a cave. And he does make progress. Jack increases in confidence and awareness: “the cries of the men were the tongues at a Pentecostal Church, and every Saturday night we were born again; we were redeemed.” The scene where he finally decides to leave his job is as funny as it is shocking, and will resonate with anyone who’s ever felt trapped in a soulless environment.

You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You’re the all-singing, all-dancing crap of the world.

—Tyler Durden

Lessons progress from slugfests to horrible ordeals (a chemical burn, a self-inflicted car wreck, and more), which Tyler forces on Jack to make him “hit bottom,” because Tyler insists that “only when we lose everything can we do anything.” However unpleasant this may be, enlightenment teachers have been saying it for millennia. Jesus said: “Unless a grain of wheat falls to the earth and dies, it remains but a grain of wheat.”

If the first act is a black comedy about consumerism, and the second, the drama of a brutal education, the third act is a surreal revolution. Tyler begins giving destructive (and often funny) homework assignments to other Fight Club members. One group sabotages an environmental poster to say “Did You Know You Can Use Old Motor Oil to Fertilize Your Lawn?” Another group commits precision-arson on a skyscraper to turn it into an enormous happy face.

Jack determines to stop Tyler when he discovers that the former Fight Club (now Project Mayhem) has spread to cities across the country, morphing into an all-American terror network. Like bin Laden, Tyler has some dramatic financial targets in mind, although Project Mayhem goes to pains to make sure no one dies unless it’s one of them.

The Tyler Durden School of Enlightenment

Jack’s final transformation is in realizing that he is not a separate person from Tyler at all. Although this twist is familiar by now (I can think of four other titles with the same surprise), its spiritual meaning really comes through here: there is no separate person; there is just One only, although there are different bodies and different wills. Jack had the enlightened teacher within him all the time, and as he progressively released his perceived needs—possessions, job, nice enviroment, fear of pain, fear of causing pain—he began to uncover his true nature—unbounded, free, powerful, and finally capable of love.

There’s a reason why no religion teaches awakening until first creating an underpinning of morality, namely that awakening is not dependent on morality. Without morality and compassion, Brad Warner cautions in Hardcore Zen, enlightenment can make people even worse creeps than they already are. Goodness is about the needs of beings in Creation, but awakening is simply realizing the truth that all things are one, all distinctions are false, and you are free. An awakened person can either be a savior like Jesus, a saint like Francis, a sage like Lao Tzu, or a nihilistic rogue like Tyler Durden. Even the Bible teaches this: Jesus said, “you shall know the truth, and the truth shall set you free”, and St. Paul said that “all things are permissible, though not all are beneficial.”

To an outsider, it appears that Tyler cares only about the permissible part, but he sees himself as guided by an internal vision of what is truly beneficial for the world. He will do whatever is necessary for Jack get past the lies of the world and experience the freedom of his spirit, and he extends his “guidance” to others. In one scene, he successfully motivates a convenience store clerk to continue his education and realize his dream. (Tyler does this by pointing a gun to his head!) Tyler explains that having been giving a new lease on life, the clerk is going to live more fully than he ever had before.

pic of Tyler and Jack

Hollywood Jesus has an excellent review of Fight Club by Simon Remark, who also sees Tyler as a spiritual teacher. On the discussions page, another reviewer considers Tyler a Christ figure. Glenn Jordan points out:

The men gather not to inflict violence on others, but to have violence inflicted on them. This to me is the key to the film. FC was established for those men who have been numbed and brutalised by the culture they live in. Everything that Durden does is designed to subvert the intentions of the thuggish and to awaken the senses and the spirit of those who have been numbed to reality.

He goes on to compare Tyler using his blood to secure the basement from Lou to Christ using his blood to redeem his followers from Satan. Jordan also sees similarity between the entrance test for Project Mayhem to that of religious orders like the Benedictines, with evidence of determination and renunciation.

However, others compare it to the Hitler mystique, and caution that Tyler is dangerous, violent, and obscene. You almost certainly do not want Tyler to be your teacher, and you absolutely do not want him to be your waiter! You also have to ask if Tyler is any better than the world. Just as the meaningless consumer culture emasculates men, he uses the threat of emasculation to control the police, and even himself.

Personally, I’m glad for the moral cushioning that religion gives the world, and I’m very grateful that my teacher is a much nicer fellow than Tyler.

The First Rule of Project Mayhem: You Do Not Ask Questions

So here are some questions you shouldn’t ask:

  • What is the moral difference between exporting Communism, exporting jihad, or exporting democracy through invasions and revolutions?
  • Is our way of life really better when tens of millions of Americans find it unendurable without medication?
  • Is it better for thousands of people in a country like Iraq to die every year through crime and insurgencies or through totalitarian oppression?
  • If capitalism enslaves people, is it right or wrong to oppose it?
  • What is the difference between Jesus violently turning over the tables of the moneychangers in the Temple, and Tyler’s assault on the corporate temples of power?
  • Is Tyler/Jack simply crazy? Does he get better?
  • Do the members of Project Mayhem become free, or have they just enslaved themselves to Tyler instead of mainstream culture?
  • Is there more purpose in wars than in boxing matches? Underneath the rhetoric, justifications, and apparent causes, is the violent drama in the world ultimately an attempt to alleviate cosmic boredom?
  • Does Jesus want you to be a good citizen?

When you think you have the answers to these questions, look at them again, and ask yourself, Am I sure? How do I know? How do I really, really know, apart from conditioning?

Amoral characters are exceedingly rare in mainstream film. (We like our heroes good, and our villains evil. It distracts us from the difficult truth that the light and dark, yin and yang are simultaneously within us, that we are created in God’s image, the ultimate source of both what is perceived as “good” and “evil.”) Besides having an amoral character, Fight Club also surprises by not taking sides. You are free to draw your own conclusions. In fact, “You are free,” is really the only message.

That said, Fight Club isn’t perfect. It’s extreme, it’s too long, and it’s often painful to watch. Marla’s role is almost wasted in the latter half of the film, and the Project Mayhem segment is not at all convincing. Yet this movie is making a tremendous impression on multitudes of people. Six years after its release, IMDB users rank it the 36th best film of all time. [Update: as of February 2021, Fight Club is now the 11th-highest rated film on IMDB] It is a rare thing: a truly original film, a study in non-theistic spirituality, and a stinging indictment of the lies of the world.Movie stills © 1999 Twentieth-Century Fox.

Originally added April 23, 2005

Come as a Child

Akilesh has a wonderful post at Graceful Presence about how awakening is a restoration of the original mind of the child. I hightly recommend it.

Jesus said so many years to go to just come as a child. We can’t accept it. We think it means have childlike faith in the Biblical narratives or the Nicene Creed. It just means to see the divine magic of reality.

Trev Diesel recently posted his thought, “How strange that we should be here at all.” The wonder doesn’t lie in explanations, even the explanation that God loves us so much that he made the Universe. The wonder is just this. And the other wonder is that we don’t see it.

The Pope is Passing

pic of JPIIThroughout the day, I’ve gone to Yahoo! and refreshed the page to see if there’s been any more news concerning the Pope.

I’m 44 years old, and I was raised Baptist. After a born-again experience that radically changed my life when I was 13, I devoted myself to apprehending as much as I could of what God had for me. The adventure took through every major expression of Protestantism, and 10 years ago, into the peace and turmoil of the Catholic Church (and beyond). I’ve never really known a Catholic Church that wasn’t headed by Karol Wojtyla, the pope known to the world as His Holiness, John Paul II.

By the time you read this, chances are that John Paul will be “dead,” a word that I have to put in quotes, because any mystic knows that there is no such thing as death. But his smile, wave, and sometimes-infuriating tenacity will be gone.

Most popes have been chiefly administrators of the Church. John Paul II was a maverick. He traveled to every continent and nearly every country of the world, praying for peace and preaching peace. Behind the scenes, he would meet with dictators and urge them to practice tolerance. He was instrumental in preventing the democratic movements in Eastern Europe and the Soviet Union from going the way of Tiananmen Square.

He lobbied consistently on behalf of the poor, against the exploitation of poor people by rich people, and poor countries by rich countries. He argued for dignity, fairness, and kindness to all, since all are created in the image of God. He fought against war and the death penalty; he had seen up close the horrors of war and killing, when the most terrible seizure of brutality that humanity has manifested enveloped his country.

He never wavered in proclaiming Christ as the Savior of the world. Yet he reached out with kindness and love to leaders of other religions, and invited the world to dialogue. He publicly asked God’s forgiveness for the Church’s past sins.

To many Catholics like myself, his weaknesses seemed to be in his official role of governing the Church. He resisted the reforms of Vatican II, and interpreted them as narrowly as possible. He scaled back the ministres of laity within the Church, as the priesthood continued to wither away. He often seemed unable to give the grace to more progessively-minded Catholics that he would give to the world in general. Proponents of change often found themselves silenced or censured, such as Matthew Fox OP, Anthony deMello SJ, Leonardo Boff OFM, Tissa Balasuriya OMI, not to mention dozens of lay teachers. The Church remains a largely pre-modern institution in a post-modern world, locked in Thomistic views about sex, birth control, and the capability of women to minister.

But whatever else can be said of him, he gave his all. He gave his heart, his hope, his health, and his life for his convictions and the world. He loved God with all his heart, soul, mind and strength, and he loved his neighbor as himself. He will be missed, and he will be remembered.

Requiescat in pace, Papa Johannes Paulus.

Frontline has an excellent biography of John Paul II.

The ego is why

My friend Bob Griffith (Hypersync ?), a soon-to-be-ordained Episcopal priest, put up an excellent post, asking “Why? ?” He deplores pre-emptive war, and the support of so many Christians behind it:
>Why are our innocent civilians any more important or valuable than are innocent civilians in any other country . . . especially if we consider how God views us all? . . . I cannot say they don’t understand, because these are intelligent people. Yet, it seems they simply cannot see; they do not seem to understand. The crime, in my opinion, is that many of these same people claim Christ as their example–their attitudes, ideas, and actions are so contrary to the example and call of Christ that it is mind-boggling.

I couldn’t possibly agree with Bob more. Millions of Christians have little awareness of the actual teachings of Christ regarding universal, unconditional love and generosity. The question remains, why? I believe it’s largely that we do not understand what the Gospel is. The original Gospel (Good News) wasn’t about “believing in” Jesus, but the News Jesus dedicated his life to proclaiming and demonstrating–that the Kingdom of God is here. At hand. Within. Spread out upon the earth. To be in the Kingdom of God means that God’s presence is felt everywhere, that God is in control, not the self. The Kingdom is present when the ego is absent.

I believe it isn’t seen because it’s unacceptable to the ego. And so the Good News shifted from being the teaching of Christ, to the gospel about Christ. This is not nearly as threatening to the ego, which can choose to “accept” it or not, but still retains control.

The ego objectifies whatever it can. Realities such as regions of the earth are abstracted into concepts like “country.” We’re further indoctrinated into believing that there is “my” country and others are “foreign” countries, and their citizens’ needs are of a much lower priority. A lot more becomes “mine” to disguise simple reality. There’s *my* heritage, *my* race, *my* religion, *my* property, *my* desires, *my* rights, which are important. What’s yours is up for consideration. Or dismissal. Or labeling. Iraqi/American, saint/sinner, man/woman, gay/straight, black/white/Oriental, and most of all, good/bad.

The ego is like the surface tension bounding a drop of water. To fall into the sea seems like death to it, but the surface is not the water. When the drop falls into the ocean, the water is not damaged, but it is now without boundaries, connected to all the water in the ocean.

Jesus often used the metaphors of birth and children. Be born again, born of the Spirit, he said. Receive as a little child, or you cannot enter the Kingdom. Little children know nothing of the thicket of illusions that form the ego. Another child isn’t an Iraqi or an American, but a friend.

We need to know that concepts and distinctions are games of the mind. While they’re essential to
playing in the Matrix—working, living, thinking, building — they remain games. Reality is still unchanged. It’s the Kingdom of God.

Peter Pan

To die would be an awfully big adventure.

—Peter Pan

A Modern Myth

Peter Pan poster

Peter Pan is one of the few stories that really qualifies as a modern myth. It has endured for over a century now, and is almost universally known in the English-speaking world. Director P.J. Hogan gives the tale wonderful impetus into its next century with this beautiful and intelligent film version. This is the telling of the Peter Pan tale par excellence, not only because it’s so professionally done, but also it brings out the undercurrents in the tale that have never really been expressed before, foremost of which is that Peter Pan is really a story of first love.

Why is this the first time the love story has been presented in Peter Pan? Because this is the first film version where Peter is played by a boy and not a woman! In addition, Peter has usually been shown as a very young child, which made his terror of growing up feel considerably “off,” not to mention his confused love for Wendy. Hogan rectifies this by showing us Peter on the verge of adolescence. This makes everything—the romance, his fear of growing up, and his mastery of the sword—ring far truer.  

While it definitely remains a children’s film, this Peter Pan is neither dumbed-down nor sugar-coated. The dark undertones of Barrie’s original are not glossed over. Peter is not cute and sweet, he’s a young warrior who longs to kill Hook. Mermaids are dangerous creatures. Tinkerbell is funny, crazy, and sometimes murderous.

Flying is presented smoothly and nonchalantly, as though it were the most natural thing in the world. There are no self-conscious interruptions like the “bullet time” in The Matrix. I highly recommend watching the DVD extras which detail the grueling months spent in flying practice and sword training to appreciate what an impressive accomplishment this was.

Wendy’s story

Hogan’s film brings home something else that generally escapes us—that this story isn’t about Peter Pan, but Wendy. Wendy Darling is wonderfully portrayed by Rachel Hurd-Wood, who might be the next Jodie Foster. As the story opens, her Aunt Millicent notices that Wendy is becoming a young woman, and persuades Wendy’s parents to give her her own bedroom, and begin schooling her in the arts that will help her to “marry well.” Wendy must soon stop regaling her brothers with pirate stories, and to start learning to prepare for what Mrs. Darling calls the greatest adventure, love. 

On one of the last nights she’ll spend with her brothers in their shared bedroom, she wakes up with a start, to see a half-naked boy floating in the air above her bed, who quickly vanishes. In school the next day, she draws a picture of him hovering over her bed, and her teacher dashes off a note to Mr. Darling regarding his daughter’s “unseemly preoccupations.” (We’re in the Victorian era, after all.)

When Peter returns the next night, Wendy learns that he’s been listening for months to her telling stories to her brothers. Partly, he’s enchanted by the story-telling, but mostly he’s enchanted by her. “One girl is worth more than twenty boys,” he says. When he tells her that the Lost Boys are children who fell out of their prams and went to Neverland, she asks why there are no girls there, and Peter replies, “girls are far too clever to fall out of their prams.”

pic of Peter and Wendy practicing with swords

Wendy is just as entranced by Peter. He’s charming, cocky, slightly surly, and has an oh-so-exotic American accent. She offers to give him a kiss, and Peter holds out his hand to receive it, thinking a kiss is an object. Not wanting to embarrass him, she gives him a thimble, and he reciprocates with an acorn. When she tries to give him a real kiss, Tinkerbell’s dangerous rage comes into play, so that will have to wait. Wendy asks if her brothers can come along to Neverland with her, and Peter agrees, clearly not because he wants to, but because he doesn’t want to disappoint her. (Five minutes later, he can’t remember their names.)

“The Wendy’s” Choice

When Wendy arrives in Neverland, she finds it full of adventure, although she’s unprepared for the level of danger in this world. Tinkerbell tries to get the lost boys to kill this strange visitor she calls “the Wendy;” her plot is foiled only by the acorn “kiss” that Peter gave her, which stops an arrow from piercing her heart. (That “a kiss is a powerful thing,” is a recurring motif.) When Peter finds her, she falls into her role of being mother to the lost boys (and her brothers), with Peter acting as the group’s father.

pic of Peter and Wendy watching the fairy dance

Peter is enamored with Wendy, and eagerly shares with her all the magic of his world. In one beautiful scene, he shows her a fairy dance inside a hollow tree, and the light from the fairies illumines their faces. Peter and Wendy move away from the tree, and begin to dance themselves, their happy thoughts lifting them into the air, as the fairies circle around them showering them in a golden circle of fairy dust.

Wendy, though, is growing up; she knows that no fantasy can satisfy her forever. She’s seen Peter’s world, but not his heart. Intuitively, she knows that the environment isn’t real, but the heart is. She asks Peter if it’s all just make-believe. He answers, “Yes, if I were a real father, I’d feel so old,” and they begin to spiral down. Wendy presses him to talk about his true feelings; he can relate his feelings of anger and his knowledge of jealousy, but nothing of love. Once his inability to love is exposed, he lashes out:“Why do you have to ruin everything? We have fun, don’t we? I taught you how to fight and how to fly! Go, and take your feelings with you!”

This scene is powerful. It speaks to all the boy-men (and their female counterparts) in the real world who want the benefits of love, sex, and relationship without giving themselves. Although Peter enjoys the feeling of being in love, he can’t give himself in love, which would meaning sacrificing his eternal youth. All real love entails some sacrfice, from the everyday sacrifices of couples to each other and parents to their children, to the profound picture of God’s love in Christ’s self-surrender.

Hook witnesses the scene and senses the enormity of Peter’s mistake, realizing that he is simply an older version of Peter Pan. He acutely feels the ache of having lived a loveless life, and schemes to make Wendy his own.

Wendy is tempted. Hook seems mature, while Peter wants to be a boy forever. With Peter, Wendy can only be a mother, but Hook offers her the more exciting role of piracy as “Red-Handed Jill.” Yet Wendy is able to sense that both Pan and Hook are playing at love, something neither is really capable of. Wendy decides to stop holding on to that which isn’t real, and return to real life, with its possiblity of real love, in London.

Fear of the next step

Peter isn’t the only one afraid, though, he’s simply the most honest about it. Peter is unafraid of death, but fears life—specifically the ordinariness of adulthood. That other lost boy, Hook, is afraid of death and old age. Time is after him and will devour him, symbolized by the ticking clock inside the enormous crocodile. Wendy is afraid of life choices. She’s excited by both Peter’s wildness and Hook’s debonair manners, but knows that both are wrong for her; she must leave Neverland and return to reality.

pic of peter w. sword

All fear is really fear of the future in some respect, and it’s often about the next change in our life situation—to put it broadly, about the next part of our “growing up.” This film can disturb you if you watch it openly, because you will likely see some of your own fear mirrored in the those of Wendy, Peter, or Hook. At some level, we all have this hesitancy about that next step in some part of our lives, and mere physical age is no evidence of not stopping in Neverland and refusing to go forward. Neither is having a family; many people go through the motions of development, while freezing huge parts of their lives, very often their spiritual lives, at a childish level. As Jed McKenna wrote in Spiritually Incorrect Enlightenment, “a seventy-year-old is often an eleven-year-old with fifty-nine years of experience.”

Although there’s a happy ending of sorts—Wendy returns home along with her brothers and the Lost Boys, who also now have a home, there’s a profound sadness at seeing Peter turn back from her window to fly back to an emptier Neverland, with no Lost Boys to guide, no Hook to fight, and no Wendy to love. His last words are:

To live would be an awfully big adventure.

It would be, if he took it.

Movie stills © 2003 Universal Studios.

A little resurrection

It’s been a great Lent and Easter for me. Besides my ongoing study with my teacher, Kitabu Roshi, I’ve celebrated the presence of God in a Native American prayer lodge, in my parish, at Catholic Campus Ministries, and among new friends at Symphonic.

This is also an anniversary for me, at least by the church calendar. Ten years ago, on Holy Saturday, I joined the Catholic Church. A couple of hours before the Vigil Mass began, I broke my fast at Long John Silver’s in Kent, and had my picture taken outside with Harley, a tame mountain lion. (Kent is the kind of cool place that just happens to have mountain lions hanging around fast-food restaurants sometimes!) A frimmin’ mark for this transition in my life. (I’m having problems with my scanner. Hopefully, I’ll be able to include the picture soon.)

I thought I had been through faith changes before (and I had!), but I had no idea what lay ahead for me. When you open yourself to wanting to discover all God has for you, prepare to be changed. *A lot.* I didn’t know that I would discover a Christian teaching called “theosis” that would change my life, I didn’t know that I would try for a time to become a priest, I never dreamed that I would be studying Zen with an enlightened master, nor how difficult some of the path ahead would be.

At the Easter Vigil Mass last night, I felt something wonderful break in me. My ever-present “inner theologian” shut up. Suddenly, all the differences in concepts in all of the traditions became irrelevant. The only thing that mattered is the simply the divine presence of the One. I felt not only reconciled to my church, but also with the Evangelicalism of my youth. It’s a little resurrection.

What am I? I don’t know. All I know is God is alive here and everywhere, and I want to awaken to that fully and become one with that fully.

The Greatest Lesson (pt. 3)

After nearly two full days had elaspsed since his death, it looked like the end. There would be no kingdom of God. There were nice ideas, there had been healings, but the religion had killed the Teacher, and the Empire had squashed the Kingdom. His friends huddled in fear behind closed doors, wondering if they too, were going to be nailed to crosses.

It was the first day of the Jewish week, and early in the morning before the workday began, some of the women who followed him went to his tomb to pay respects by anointing his body.

What they found was that the Teacher had been **vindicated** in an extraordinary miracle. He was alive again. The final lesson would not be forgotten:

>Love is stronger than death. Love is stronger than hate. Love is courageous, and will even sacrifice itself for the benefit of others. Love is the power of God.

Forty days later, the Teacher would be **greatly exalted.** He would be enabled to share his spirit with all who asked. This “second coming” would be greater than the first, for it allows an intimacy that was impossible when Jesus was in the body.

>He [Jesus] has given us all the things that we need for life and for true devotion, bringing us to know God himself… through them you will be able to share the divine nature (II Peter 1:3-4a).

Christ is risen. Hallelujah! May we live out his Good News.